Replaying past arguments in my mind, I find myself apologizing very often. There shouldn’t be a win or loss with an argument, it’s too emotional of an event to ever be resolved. Discussions, those are appropriate. Yet can quickly crumble into arguments when feelings sneak into the matter. This recent replay was more of a chastisement than an argument. My new apology that emerged was along the lines of, “sorry that I didn’t grow up learning your social rules.” Just another reflection how we don’t all grow up learning the same standards. Somehow being different has lead to many arguments. Or, thinking different.
And yet relationships should be able to overcome such details.
An argument in a film is no different than a fight scene, it impedes progress. It may result in shedding some light on an issue, but it is a lot of fluff to get through. And then you can’t be lazy about it. The last thing it should be is of two people interacting on screen. How predictable, how boring. Too similar to life. A film surpasses such moments. Or should.
Trying to use personal experiences for such scenes can leave me feeling depressed. The problem arises when you adapt your own experience to fit your scene, which I feel results in you rewriting your own memories. How frightful. Instead of the apology, I recall being an asshole.
But maybe I was all along.
So rather than corrupting my own memories, I’ll head out and imagine an argument with whoever I may encounter. Sometimes it’s a stranger I just happen to notice. What could be the cause of our argument? Would I start it or would they? Will they resort to a physical confrontation or give me a mighty tongue lashing? Will I resort to hitting them? Maybe I’ll find myself crying at the end, surrounded by a crowd that has sided with my opponent.
But since I don’t like such situations, I end up imagining two strangers falling into a disagreement. The greater the selection of people available, the better. And yet too often it’s a typical argument. The old lady versus the rebellious youth. The bus driver versus the businessman. The crazy cat lady versus the store clerk. I need to find new places for people watching. New observations have lead me to believe a pizzeria is opening up right across from my building. There’s potential, definitely some potential.
There was that time with the young thug versus the homeless man, each boasting to be Mr. Big Dick McGee. An actual confrontation, I didn’t mentally put the two to fight as I was busy reading. It took an elderly woman of the cloth to shut them up, and with only a soft touch of her hand and kind words.
I couldn’t hear what she said, but maybe with time I will learn the words.
Anyhow, the numerical sequence relates to my preference of “most enjoyable” to “not the most enjoyable” episodes of Sherlock. Martin still makes me tear up at the end of Reichenbach Fall, such a performance, and this is because you know how it ends. The series forced me to finally read Doyle’s works. Yes, it took far too long for our paths to meet, but I’m glad to experience the show’s adaptations alongside my literary marathon. Plus I got to pick up the entire series in a most dashing of covers. One book to hold them all.
And Andrew Scott – stellar. Benny gets enough love, so I will comment that Scott has created a wonderful and most memorable villain that I may ever encounter. Not the only one, but he certainly gets added to my favorites. Whoops, looks like I have to make an actual list now. But how much of his character is because he is playing against Benny’s Sherlock? The two definitely play well together. Oh well, I enjoy it, good show, good show. The cast is excellent, I’ve enjoyed them all.
OH, and the editing, superb! Reichenbach Fall has some wonderful moments with scenes overlapping each other. What an enjoyable way to experience two scenes at once. I guess I should just say that the entire production of this series has been a joy to watch.
Guess I’ll go back to my books and writing for the time being.
